Very good condition.
18″W x 20″H
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ROBERT KIPNISS Limited Edition Lithograph – Signed
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Signed and numbered #185/275, a limited edition color lithograph by American author, and artist Robert Kipniss. A recipient of various honors and awards, this lithographic print is a demonstration of Kipniss‘ vision and talent. Using a dry point etching technique, Kipniss depicts two homes surrounded by trees and bushes, with a dreamlike hazy atmosphere. This lithograph is matted and comes housed in a distressed metallic frame.
This lithograph is amongst hundreds of pieces of artwork that are available at our showroom in Grandview! Come in today and see the full collection.
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SKU:
MBM_P1417
Categories: Famous Artists, Prints
Tags: American, Etching, Famous Artist, Lithograph
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TALLE BAMAZI (1966-) “In God We Trust” Original Oil on Linen
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BARBARA HEPWORTH (1903-1975) “Delos” Lithograph on Wove Paper
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Dame Barbara Hepworth was born on January 10th, 1903 in Wakefield, West Riding of Yorkshire, the eldest daughter to a middle class family. Proficient in music and the arts, Hepworth won a scholarship to study at the Leeds School of Art in 1920, where she met Henry Moore, whom she would befriend and maintain a friendly rivalry throughout their professional careers. Despite the isolation of working in a male-dominated environment, Hepworth won a second scholarship to attend the Royal College of Art in 1921 and studied there until her graduation in 1924. After graduation, Hepworth traveled to Italy and learned how to carve marble from sculptor Giovanni Ardini, marrying fellow sculptor John Skeaping and having her first child before moving back to London. Hepworth fell in love with painter Ben Nicholson, who she would marry in 1938, while becoming highly interested in abstraction and she later traced to Paris to visit the studios of Pablo Picasso, Jean Arp, and Constantin Brancusi. The breakout of World War II brought new challenges to Hepworth, who maintained her career while also raising triplets. In 1939, Hepworth and her family moved to St. Ives in Cornwall, where she would live the rest of her life. Hepworth continued working and, despite her ambivalence toward international market recognition, she eventually established gallery relationships in the United States in the 1950s before expanding her studio space in 1960. Working on large scale commissions, Hepworth began experimenting with lithography in her later work and received a Commander of the Most Excellent Order of the British Empire in 1958, followed by a Dame Commander of the Most Excellent Order of the British Empire in 1965. Hepworth remained working until her death at the hands of an accidental fire in her studio in 1975 at the age of 72. Her studio and home have since become the Barbara Hepworth Museum and her work has been shown throughout the world, including major retrospectives and exhibitions at the Tate and the Heide Museum of Modern Art.
This lithograph is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
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This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
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Johan Bathold Jongkind (1819-1891) was a Dutch painter and printmaker who is widely recognized as a forefather of Impressionism. After training at the art academy in The Hague, he moved to Monparnasse, Paris. After studying and working for two years, he was accepted into the Paris Salon exhibition. Despite receiving praise from critics Charles Baudelaire and Emile Zola, he experienced little success that induced depression worsened by alcoholism. Jongkind would continue to struggle with his mental health and dependency issues throughout his life. He returned to Holland for 5 years before going back to Paris, renting a studio and developing a style that would be critical to the consequent Impressionist movement. He met Eugène Boudin, Alfred Sisley, and Claude Monet, and became a mentor to the three young artists. Monet attributed the “definitive education” of his artistic eye to Jongkind. Jongkind mostly focused on marine landscapes, consistently employing strong contrasts and lively brushwork. Following in Dutch tradition, most of his works feature a low horizon to emphasize the sky. His legacy is strong in both the art market and in museum collections around the world. Although his contemporaries admired his work and style, his distaste for social gatherings and salons may have been what prevented him from coming to the forefront of the Impressionist movement. However, his background contributions were equally as important to him personally and many other young artists.