Good condition.
32.5″W x 27.5″H
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Vintage GABOR PETERDI(1915-2001) Aquatint Etching – Signed
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Signed and numbered #43/150, an aquatint etching by Hungarian artist Gabor Peterdi(1915-2001). Circa 1967, Red Red Eclipse, is a bold, expressionist study of form and color. Peterdi was awarded the Guggenheim Fellowship Award in 1964, and his work can be seen in collections of the Metropolitan Museum of Art to the Cleveland Museum of Art.
This etching is amongst hundreds of pieces of art that are available at our showroom in Grandview! Come in today and see the full collection.
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MARK STOCK “Pensive Butler” Hand Colored Etching
- Hand colored etching titled “Pensive Butler” by Mark Stock
- Dated circa 1990
- Depicts a butler scrutinizing a glass in tones of orange, green, and white on a yellow-orange background
- White mat with natural wood frame the compliments the colors of the piece
- Titled on the bottom left and signed on the bottom right, numbered 4/15
ANDREW WYETH (1917-2009) “Hay Ledge” Print
This print by American artist Andrew Wyeth (1917-2009) depicts a hay ledge in the upper loft of a rustically rendered barn, a small row boat perched in the corner for safe storage. Reproduced from Wyeth’s original 1957 masterpiece, this print is housed in a stately wooden framing and signed in plate by the artist in its lower left hand corner.
About the Artist:
Andrew Wyeth (1917-2009) was an American artist who primarily executed realistic paintings with regionalist style. Often saying “I paint my life,” Wyeth depicted the world around him. He is best known for his painting “Christina’s World” which is a part of the Museum of Modern Art’s collection. He was the son of famed artist and illustrator N.C. Wyeth, who taught, trained, and schooled him. The Wyeth name is well known in the realm of American art.
This print is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
TALLE BAMAZI (1966-) “Siouda Pelle” Original Oil on Linen
$37,500.00
This original oil on linen painting titled "Siouda Pelle" by African-born, Columbus-based artist Talle Bamazi (1966-) from his Hezou-Goma collection depicts a surrealistic composition of patterned bowls intermingling with a vague, abstracted nude female; a black background adding depth and mystique to the subject’s sepia values. A revered master in the Columbus art scene, Bamazi often blends traditional African imagery with the philosophy of contemporary art, leading him to foster relationships with other, prominent African-American artists such as Aminah Brenda Lynn Robinson and April Sunami. This original painting is housed in a carved, contemporary black frame and is signed in the lower right hand corner by the artist, with additional titling, signage, sizing, and dating en verso.
About the Artist:
Talle Bamazi (1966-) was born into the Kabiye ethnic group in northern Togo and began his artistic career as an apprentice to his uncle, a traditional Togolese artist. Although he studied architecture in Lomé, Bamazi returned to painting and developed his own distinctive style, bridging traditional African art with that of the contemporary art movements of the present day. After moving to the United States, Bamazi studied at the Art Students League of New York and earned a MFA at the New York Academy of Art before moving to Columbus, Ohio. From 2004 until 2011, Bamazi operated a gallery called KIACA (Kabiye Impact Contemporary African Art), which was the only black-owned gallery in Columbus' noted arts' district, the Short North, and one of the few black-owned galleries in the city. KIACA served as an influential talent incubator for many Columbus-area African and African-American artists, including psycheñwelic painter April Sunami and Aminah Brenda Lynn Robinson. Bamazi also served as the lead artist-in-residence at the King Arts Complex, where his monumental series of life-sized portraits of Columbus-area black artists was featured at the Columbus Museum of Art and now hangs in the historic Pythian theater. Bamazi continues to live and work in Columbus and has had his work featured in Art in America, Monarch Magazine, C-BUS Magazine, Valentine New York Art Magazine, and Diva Magazine, among many others.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
TALLE BAMAZI (1966-) “Émotion de l’Esprit” Original Oil on Linen
$47,500.00
This original oil on linen painting by African-born, Columbus-based artist Talle Bamazi (1966-) depicts a surrealistic composition of patterned bowls intermingling with a vague, abstracted figure; a black background adding depth and mystique to the subject’s sepia values. A revered master in the Columbus art scene, Bamazi often blends traditional African imagery with the philosophy of contemporary art, leading him to foster relationships with other, prominent African-American artists such as Aminah Brenda Lynn Robinson and April Sunami. This original painting is housed in a carved, contemporary black frame and is signed in the lower right hand corner by the artist, with additional titling, signage, sizing, and dating en verso.
About the Artist:
Talle Bamazi (1966-) was born into the Kabiye ethnic group in northern Togo and began his artistic career as an apprentice to his uncle, a traditional Togolese artist. Although he studied architecture in Lomé, Bamazi returned to painting and developed his own distinctive style, bridging traditional African art with that of the contemporary art movements of the present day. After moving to the United States, Bamazi studied at the Art Students League of New York and earned a MFA at the New York Academy of Art before moving to Columbus, Ohio. From 2004 until 2011, Bamazi operated a gallery called KIACA (Kabiye Impact Contemporary African Art), which was the only black-owned gallery in Columbus' noted arts' district, the Short North, and one of the few black-owned galleries in the city. KIACA served as an influential talent incubator for many Columbus-area African and African-American artists, including psycheñwelic painter April Sunami and Aminah Brenda Lynn Robinson. Bamazi also served as the lead artist-in-residence at the King Arts Complex, where his monumental series of life-sized portraits of Columbus-area black artists was featured at the Columbus Museum of Art and now hangs in the historic Pythian theater. Bamazi continues to live and work in Columbus and has had his work featured in Art in America, Monarch Magazine, C-BUS Magazine, Valentine New York Art Magazine, and Diva Magazine, among many others.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
Antique MANUEL ROBBE (1872-1936) “La Parisienne” Etching with Aquatint
Original etching with aquatint by French printmaker Manuel Robbe depicts a sophisticated image of a woman adjusting her hat in a mirror, the title of the print, “La Parisienne”, suggesting a night on the town in Paris. Regarded as a master of the aquatinting technique, Robbe was influenced by Degas, Renoir, and Toulouse-Lautrec and delighted in showing the individuality of female subjects, celebrating their beauty. Housed in a lithe gold frame, this original etching is signed by Robbe in the lower left corner of the print.
This etching is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
MICHAEL GODARD (1963-) “Bond 007” Giclee on Canvas
Hand embellished giclée print on canvas by Las Vegas-based contemporary painter Michael Godard (1963-) depicts a charming take on the 007 James Bond lore. Godard’s humorous rendition depicts an anthropomorphic olive dressed in the classic Bond attire, a giant martini glass and Bond’s instantly-recognizable Aston Martin DB5 placed against a landscape of London. A staple of the Las Vegas art gallery circuit for many years, Godard’s “rock star” sensibilities and approach to contemporary art has allowed his work to remain popular for collectors of all ages and backgrounds. Housed in a modest black frame, this hand embellished giclée is signed, dated to 2018, and numbered 42/150 in the lower right hand corner by the artist. Certificate of authenticity on file.
This hand embellished giclée is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
Vintage VERVE Magazine No. 4 PICASSO Circa 1951
$375.00
Specifically designed front and back cover by Picasso for this edition of Verve Magazine, this issue is completely dedicated to the oeuvre of the artist. Made in Vallauris, Paris, each page was produced through a lithograph, heliogravure and quadrichromia printing process by Draeger Frerés to create vivid documentation of Picasso's work. Due to the nature of the publication, many were discarded through the years, leaving this highly sought after and desirable. Because of the age of the magazine, this copy contains damage and tears throughout.
This original print magazine is amongst hundreds of pieces of décor that are available at our location in Grandview! Come in today and see the full collection.
JOHAN BARTHOLD JONGKIND (1819-1891) Original Oil Nightscape on Panel
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Own a piece of art history with this original oil on panel painting by the illustrious Dutch master and frontrunner of Impressionism, Johan Barthold Jongkind (1819-1891). This painting on panel features a moonlit maritime scene that Jongkind is best known for. This painting is considered “nocturnally perfect” with radiating moonlight in a cloudy sky being perfectly reflected in the shimmering waters underneath. The low horizon, deep contrast in color, and loose yet intentional brushstrokes are quintessential to Jongkind’s style.
In 1874, Jongkind was extended an invitation to participate in the first exhibition of Impressionist works at the Salon in Paris, but declined. Following the rejection of his painting “Moonlight in Rotterdam” at the 1873 Salon, he refused to participate in such exhibitions again. This exact painting was created in 1874, at that pivotal point in the Impressionist movement and in art history as a whole.
This painted panel is framed in an aged gold frame with a paper label on the reverse. Jongkind’s signature and the year 1874 is found in the bottom left corner of the composition.
About the Artist:
Johan Bathold Jongkind (1819-1891) was a Dutch painter and printmaker who is widely recognized as a forefather of Impressionism. After training at the art academy in The Hague, he moved to Monparnasse, Paris. After studying and working for two years, he was accepted into the Paris Salon exhibition. Despite receiving praise from critics Charles Baudelaire and Emile Zola, he experienced little success that induced depression worsened by alcoholism. Jongkind would continue to struggle with his mental health and dependency issues throughout his life. He returned to Holland for 5 years before going back to Paris, renting a studio and developing a style that would be critical to the consequent Impressionist movement. He met Eugène Boudin, Alfred Sisley, and Claude Monet, and became a mentor to the three young artists. Monet attributed the “definitive education” of his artistic eye to Jongkind. Jongkind mostly focused on marine landscapes, consistently employing strong contrasts and lively brushwork. Following in Dutch tradition, most of his works feature a low horizon to emphasize the sky. His legacy is strong in both the art market and in museum collections around the world. Although his contemporaries admired his work and style, his distaste for social gatherings and salons may have been what prevented him from coming to the forefront of the Impressionist movement. However, his background contributions were equally as important to him personally and many other young artists.