Very good condition.
29.5″W x 22″H
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Antique JEAN-LOUIS VAN KUYCK(1821-1871) Original Oil Painting – Signed
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Signed in the lower left hand corner with additional hand signed card on reverse , an antique original oil painting by late Belgian artist Jean-Louis Van Kuyck(1821-1871). Circa 1866, and dated September on the back, this painting, typical for his body of work, depicts an active scene of barn caretaking. An excellent exploration of chiaroscuro painting techniques as light gradually spills into the dark. A great piece of baroque art history!
This painting is amongst hundreds of pieces of artwork that are available at our showroom in Grandview! Come in today and see the full collection.
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SKU:
MJP_JEANLOU
Categories: Antique Art, Famous Artists, Paintings
Tags: Antique Art, Famous Artist, Oil Painting
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Andrew Wyeth (1917-2009) was an American artist who primarily executed realistic paintings with regionalist style. Often saying “I paint my life,” Wyeth depicted the world around him. He is best known for his painting “Christina’s World” which is a part of the Museum of Modern Art’s collection. He was the son of famed artist and illustrator N.C. Wyeth, who taught, trained, and schooled him. The Wyeth name is well known in the realm of American art.
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LAURITZ SÖRENSEN (1882-1968) Original Oil on Canvas Painting of a Maritime Scene
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This painting is amongst hundreds of pieces of art that are available at our location in Columbus, Ohio! Come in today and see the full collection.
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This painting is amongst hundreds of pieces of art that are available at our location in Columbus, Ohio! Come in today and see the full collection.
TALLE BAMAZI (1966-) “Siouda Pelle” Original Oil on Linen
This original oil on linen painting titled "Siouda Pelle" by African-born, Columbus-based artist Talle Bamazi (1966-) from his Hezou-Goma collection depicts a surrealistic composition of patterned bowls intermingling with a vague, abstracted nude female; a black background adding depth and mystique to the subject’s sepia values. A revered master in the Columbus art scene, Bamazi often blends traditional African imagery with the philosophy of contemporary art, leading him to foster relationships with other, prominent African-American artists such as Aminah Brenda Lynn Robinson and April Sunami. This original painting is housed in a carved, contemporary black frame and is signed in the lower right hand corner by the artist, with additional titling, signage, sizing, and dating en verso.
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Talle Bamazi (1966-) was born into the Kabiye ethnic group in northern Togo and began his artistic career as an apprentice to his uncle, a traditional Togolese artist. Although he studied architecture in Lomé, Bamazi returned to painting and developed his own distinctive style, bridging traditional African art with that of the contemporary art movements of the present day. After moving to the United States, Bamazi studied at the Art Students League of New York and earned a MFA at the New York Academy of Art before moving to Columbus, Ohio. From 2004 until 2011, Bamazi operated a gallery called KIACA (Kabiye Impact Contemporary African Art), which was the only black-owned gallery in Columbus' noted arts' district, the Short North, and one of the few black-owned galleries in the city. KIACA served as an influential talent incubator for many Columbus-area African and African-American artists, including psycheñwelic painter April Sunami and Aminah Brenda Lynn Robinson. Bamazi also served as the lead artist-in-residence at the King Arts Complex, where his monumental series of life-sized portraits of Columbus-area black artists was featured at the Columbus Museum of Art and now hangs in the historic Pythian theater. Bamazi continues to live and work in Columbus and has had his work featured in Art in America, Monarch Magazine, C-BUS Magazine, Valentine New York Art Magazine, and Diva Magazine, among many others.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
TALLE BAMAZI (1966-) “In God We Trust” Original Oil on Linen
This original oil on linen painting by African-born, Columbus-based artist Talle Bamazi (1966-) depicts a lone male figure perched above a grouping of people, his arms outstretched to the sky as a lower composition details field workers and subjugated figures. A revered master in the Columbus art scene, Bamazi often blends traditional African imagery with the philosophy of contemporary art, leading him to foster relationships with other, prominent African-American artists such as Aminah Brenda Lynn Robinson and April Sunami. This original painting is mounted on its original stretcher bars and is signed, titled, and dated to 2009 en verso by the artist.
About the Artist:
Talle Bamazi (1966-) was born into the Kabiye ethnic group in northern Togo and began his artistic career as an apprentice to his uncle, a traditional Togolese artist. Although he studied architecture in Lomé, Bamazi returned to painting and developed his own distinctive style, bridging traditional African art with that of the contemporary art movements of the present day. After moving to the United States, Bamazi studied at the Art Students League of New York and earned a MFA at the New York Academy of Art before moving to Columbus, Ohio. From 2004 until 2011, Bamazi operated a gallery called KIACA (Kabiye Impact Contemporary African Art), which was the only black-owned gallery in Columbus' noted arts' district, the Short North, and one of the few black-owned galleries in the city. KIACA served as an influential talent incubator for many Columbus-area African and African-American artists, including psycheñwelic painter April Sunami and Aminah Brenda Lynn Robinson. Bamazi also served as the lead artist-in-residence at the King Arts Complex, where his monumental series of life-sized portraits of Columbus-area black artists was featured at the Columbus Museum of Art and now hangs in the historic Pythian theater. Bamazi continues to live and work in Columbus and has had his work featured in Art in America, Monarch Magazine, C-BUS Magazine, Valentine New York Art Magazine, and Diva Magazine, among many others.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
BARBARA HEPWORTH (1903-1975) “Delos” Lithograph on Wove Paper
This lithograph by famed English artist Barbara Hepworth (1903-1975) depicts an abstract composition of black lines and circular designs against a bright field of lemon yellow. Hepworth, a prominent modernist artist amongst the St. Ives, Cornwall colony of creatives during the Second World War, is best remembered for her sculptures, making this lithograph a rare find for the savvy collector. Housed in a sleek, contemporary black frame, this original lithograph is signed and numbered 20/30 by the artist along the bottom of the woven paper.
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Dame Barbara Hepworth was born on January 10th, 1903 in Wakefield, West Riding of Yorkshire, the eldest daughter to a middle class family. Proficient in music and the arts, Hepworth won a scholarship to study at the Leeds School of Art in 1920, where she met Henry Moore, whom she would befriend and maintain a friendly rivalry throughout their professional careers. Despite the isolation of working in a male-dominated environment, Hepworth won a second scholarship to attend the Royal College of Art in 1921 and studied there until her graduation in 1924. After graduation, Hepworth traveled to Italy and learned how to carve marble from sculptor Giovanni Ardini, marrying fellow sculptor John Skeaping and having her first child before moving back to London. Hepworth fell in love with painter Ben Nicholson, who she would marry in 1938, while becoming highly interested in abstraction and she later traced to Paris to visit the studios of Pablo Picasso, Jean Arp, and Constantin Brancusi. The breakout of World War II brought new challenges to Hepworth, who maintained her career while also raising triplets. In 1939, Hepworth and her family moved to St. Ives in Cornwall, where she would live the rest of her life. Hepworth continued working and, despite her ambivalence toward international market recognition, she eventually established gallery relationships in the United States in the 1950s before expanding her studio space in 1960. Working on large scale commissions, Hepworth began experimenting with lithography in her later work and received a Commander of the Most Excellent Order of the British Empire in 1958, followed by a Dame Commander of the Most Excellent Order of the British Empire in 1965. Hepworth remained working until her death at the hands of an accidental fire in her studio in 1975 at the age of 72. Her studio and home have since become the Barbara Hepworth Museum and her work has been shown throughout the world, including major retrospectives and exhibitions at the Tate and the Heide Museum of Modern Art.
This lithograph is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
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This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.