Very good condition.
25.5″W x 19.5″H
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SALLY SCHRONHENLOHER Fruit Still Life Oil Painting
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Still life oil painting by Sally Schronhenloher depicts a bowl overflowing with purple grapes, with a yellow pear nestled within. A pair of golden yellow pears sits to the right, all in front of a simple brown landscape. Sally Schronhenloher is a listed artist born in 1957. A Cincinnati grad, she was known for her phot-realistic painting. She was an illustrator for Duke University in zoology and botany. Framed in gold, signed in corner.
This painting is just one of hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
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About the Artist:
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This painting is just one of hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection
JOHAN BARTHOLD JONGKIND (1819-1891) Original Oil Nightscape on Panel
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About the Artist:
Johan Bathold Jongkind (1819-1891) was a Dutch painter and printmaker who is widely recognized as a forefather of Impressionism. After training at the art academy in The Hague, he moved to Monparnasse, Paris. After studying and working for two years, he was accepted into the Paris Salon exhibition. Despite receiving praise from critics Charles Baudelaire and Emile Zola, he experienced little success that induced depression worsened by alcoholism. Jongkind would continue to struggle with his mental health and dependency issues throughout his life. He returned to Holland for 5 years before going back to Paris, renting a studio and developing a style that would be critical to the consequent Impressionist movement. He met Eugène Boudin, Alfred Sisley, and Claude Monet, and became a mentor to the three young artists. Monet attributed the “definitive education” of his artistic eye to Jongkind. Jongkind mostly focused on marine landscapes, consistently employing strong contrasts and lively brushwork. Following in Dutch tradition, most of his works feature a low horizon to emphasize the sky. His legacy is strong in both the art market and in museum collections around the world. Although his contemporaries admired his work and style, his distaste for social gatherings and salons may have been what prevented him from coming to the forefront of the Impressionist movement. However, his background contributions were equally as important to him personally and many other young artists.