Good condition.
14.5″W x 13″H
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CARL OSCAR LARSSON(1887-1962) Original Oil Painting – Signed
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Estimated to be painted from the early to mid 20th Century, an original painting by late Swedish artist, Carl Oscar Larsson(1887-1962). This fauvist oil painting on board, features a splendid array of saturated color, in deep tones, making its timeless quality quite attractive to contemporary collectors. Signed by the artist in the lower corner, this painting comes in a distressed frame.
This painting is amongst hundreds of pieces of art that are available at our showroom in Grandview! Come in today and see the full collection.
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STUART MCCORMICK Original Oil Landscape
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Original Painting of Snowy Landscape
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Antique Original Watercolor of a Pastoral Landscape
Dated to antiquity, this original watercolor on paper depicts a peaceful, pastoral landscape with groupings of cattle grazing along the shady grass that lies next to a sizable pond. This original watercolor is presented in a modest wood framing and has been faintly signed in pencil by the unknown artist in the lower right hand corner of the paper.
This watercolor is amongst hundreds of pieces of art that are available at our location in Columbus, Ohio! Come in today and see the full collection.
HAROLD WOLPOFF Original Oil on Canvas of Country Scene
This original oil on canvas painting by Harold Wolpoff (1924-2013) depicts a charming country landscape in plein air style, with a winding creek leading to architecture in the distance. Signed in corner, framed in speckled ivory and blue.
This painting is amongst hundreds of pieces of art that are available at our location in Columbus, Ohio! Come in today and see the full collection.
AUGUSTINA DROZE (1981-) “Vineyard Window” Original Oil on Canvas
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This original oil on canvas painting by American-born, China-based artist Augustina Droze (1981-) depicts a beautiful landscape rendering of a wine vineyard, mountains punctuating crisp blue skies as bunches of ripened grapes create a window in which to view the composition through. Mounted on original stretcher bars, this painting is signed by the artist along the lower right hand corner of the canvas.
This painting is amongst hundreds of pieces of art that are available at our location in Columbus, Ohio! Come in today and see the full collection.
ANATOLY SLEPYSHEV (1932-2016) “Three Prophets” Original Oil on Canvas
This original oil on canvas by Russian painter Anatoly Slepyshev (1932-2016) depicts a dreamlike, desert landscape in thickened tones of impasto paint, a metallic, golden sun shining overhead. Slepyshev’s work centers itself in the non-conformist tradition, with his paintings being prominently showcased at major Russian art institutions, such as the Moscow Museum of Modern Art. Framed in black and gold, this original painting is signed and dated to 1983 in the lower left corner of the canvas and en verso by the artist.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
Antique Portrait Oil Painting – Manner of ANGELO ASTI
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Original antique oil painting depicts the portrait of a female figure, gaze lifted to the heavens in a common pose found in classical art. Dated to the late 1800s, this painting is crafted with delicate brushstrokes in the manner of Italian artist Angelo Asti (1847-1903), who was known for his romantic portraits of women. Housed in an extensively decorative period frame, this original painting is unsigned by the unknown artist.
This painting is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
JOHAN BARTHOLD JONGKIND (1819-1891) Original Oil Nightscape on Panel
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Own a piece of art history with this original oil on panel painting by the illustrious Dutch master and frontrunner of Impressionism, Johan Barthold Jongkind (1819-1891). This painting on panel features a moonlit maritime scene that Jongkind is best known for. This painting is considered “nocturnally perfect” with radiating moonlight in a cloudy sky being perfectly reflected in the shimmering waters underneath. The low horizon, deep contrast in color, and loose yet intentional brushstrokes are quintessential to Jongkind’s style.
In 1874, Jongkind was extended an invitation to participate in the first exhibition of Impressionist works at the Salon in Paris, but declined. Following the rejection of his painting “Moonlight in Rotterdam” at the 1873 Salon, he refused to participate in such exhibitions again. This exact painting was created in 1874, at that pivotal point in the Impressionist movement and in art history as a whole.
This painted panel is framed in an aged gold frame with a paper label on the reverse. Jongkind’s signature and the year 1874 is found in the bottom left corner of the composition.
About the Artist:
Johan Bathold Jongkind (1819-1891) was a Dutch painter and printmaker who is widely recognized as a forefather of Impressionism. After training at the art academy in The Hague, he moved to Monparnasse, Paris. After studying and working for two years, he was accepted into the Paris Salon exhibition. Despite receiving praise from critics Charles Baudelaire and Emile Zola, he experienced little success that induced depression worsened by alcoholism. Jongkind would continue to struggle with his mental health and dependency issues throughout his life. He returned to Holland for 5 years before going back to Paris, renting a studio and developing a style that would be critical to the consequent Impressionist movement. He met Eugène Boudin, Alfred Sisley, and Claude Monet, and became a mentor to the three young artists. Monet attributed the “definitive education” of his artistic eye to Jongkind. Jongkind mostly focused on marine landscapes, consistently employing strong contrasts and lively brushwork. Following in Dutch tradition, most of his works feature a low horizon to emphasize the sky. His legacy is strong in both the art market and in museum collections around the world. Although his contemporaries admired his work and style, his distaste for social gatherings and salons may have been what prevented him from coming to the forefront of the Impressionist movement. However, his background contributions were equally as important to him personally and many other young artists.