Good condition.
28.5″W x 22.75″H
SOLD
Original woodblock print by Japanese artist Fumio Fujita (1933-) depicts a line of whitened tree silhouettes against a solemn background of blues. Dated to 1974, Fujita’s work serves as a prime example of sōsaku-hanga or “creative prints”, which stresses the artist as a singular creator motivated by a desire for self-expression; opposed to the traditional ukiyo-e collaborative systems. Framed in a contemporary black with ample matting, this print is signed and numbered 5/200 by the artist at the bottom of the paper.
This woodblock print is amongst hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.
Out of stock
Good condition.
28.5″W x 22.75″H
Copy of the fourth issue of Verve, a modernist Parisian art magazine published by Teriade between 1937 and 1960. First published in 1937, Verve was a magazine that attracted artists such as Henri Matisse to create cover art for the publication and included James Joyce and Ernest Hemingway as early contributors. Featuring a cover by Georges Rouault, this rare piece of literature is typically only found through European antique dealers
This original print magazine is amongst hundreds of pieces of décor that are available at our location in Grandview! Come in today and see the full collection.
An original signed and numbered lithograph by famed French artist André Masson (1896-1987) reminiscent of Masson’s works in automatic drawing. Featuring graphic marks on a vivid ground of red, blue, yellow, and green, Masson’s surrealistic mark-making invites viewers to investigate the image and form their own meaning within the piece. Framed in silver and signed and numbered at the bottom.
About the Artist: André Masson(1896-1987) was born in Balagny-sur-Thérain, Oise and began to study art at the age of 11 at the Académie Royale des Beaux-Arts in Brussels, later moving his studies to Paris. Masson’s early work displayed an interest in Cubism, but he later became more closely associated with Surrealism, becoming more of the more enthusiastic advocates of automatic drawing; a practice in which the hand is allowed to move randomly across the paper or canvas. Under the German occupation of France, Masson was labeled a degenerate artist by the Nazi regime and he later moved away from Surrealism, adopting a more structured style with themes of eroticism and violence. After escaping France to America, Masson’s work became an important influence on burgeoning Abstract Expressionists, such as Jackson Pollock, as he worked in Connecticut. Following the war, he returned to France and continued to paint until his death in 1987 at the age of 91.
This lithograph is just one of hundreds of pieces of art that are available at our location in Grandview! Come in today and see the full collection.